Theatre in Description WH-SP-T-I-2-Teatr-Z
Course content:
The analysis of the stage work - description of individual elements of the performance and presenting its synthetic meaning. Contemporary theatre conventions considering their historical changes. A synthesis of the performance in the theatre - an analysis of modern means of expression (music, art, acting, costumes, literature) and their coexistence in the performance. How to read the meaning of the stage work.
Theatre as an important element of cultural discourse. Theatre life - criticism (reviews), conventions, legends - and its influence on the reception of the stage art. Poetics and characteristics of theatre reviews. Description of the performance as a form of theatre records and a testimony of the audience reception.
Methods of assessment: to receive credit: an essay with a positive mark.
(in Polish) Grupa przedmiotów ogólnouczenianych
Subject level
Learning outcome code/codes
Type of subject
Course coordinators
Learning outcomes
1
- know the basic terminology related to cultural anthropology
- know topics and problems specific for cultural anthropology
- have basic knowledge on major paradigms and attachments of cultural anthropology
- understand the scope of the knowledge s/he has apprehended and the need for a life-long learning
- can use different databases for searching readings specific for cultural anthropology
- can name cultural phenomenon, and use proper methods to anaile it by comparing,
- can read and analize texts of culture,
- know how participate in culture and know why ist neccesary.
ECTS - 2 points
30 h - participation in classes
15 h - participation in common theatrical performances
5 h - reading the litterature
2,5 h - writting diseratations.
Assessment criteria
Essay.
Bardzo dobry – student knows modern conventions od theatre, he can adjust method of analyzis to the theatrical perfomrance and compare it with other textes of culture. He can write text in every convention of writing about theatre.
Dobry - student knows modern conventions od theatre, he can compare theatrical performance with other textes of culture. He can write text in every convention of writing about theatre.
Dostateczny – student knows modern conventions od theatre. He can write text in every convention of writing about theatre.
Niedostateczny - student don't knows modern conventions od theatre, he can't adjust method of analyzis to the theatrical perfomrance and compare it with other textes of culture. He can't write text in every convention of writing about theatre.
Practical placement
Doesn't matter
Bibliography
Sto przedstawień w opisach polskich autorów, red. Z. Raszewski, Wrocław 1993.
M. Halberda i in., „Dziady” Adama Mickiewicza w inscenizacji Konrada Swinarskiego. Opis przedstawienia, Kraków 1998.
M. Dzieduszycka, Apocalipsis cum figuris. Opis spektaklu, Kraków 1974.
P. Pavis, Słownik terminów teatralnych, przeł. S. Świontek, Wrocław 2002.
M. Carlson, Performans, przeł. E. Kubikowska, Warszawa 2007; Z. Raszewski, Teatr w świecie widowisk, Warszawa 1991; C. Balme, Wprowadzenie do nauki o teatrze, przeł. W. Dudzik i M. Leyko, Warszawa 2005; H-T, Lehman, Teatr postdramatyczny, przeł. D. Sajewska, M. Sugiera, Kraków 2004; T. Kowzan, O autonomiczności sztuki widowiskowej, [w:] Problemy teorii dramatu i teatru, pod red. J. Deglera, t. II, Wrocław 2003; D. Ratajczak, Teatralność i sceniczność, [w:] Problemy teorii dramatu i teatru, pod red. J. Deglera, Wrocław 2003, t. I; P. Brook, Pusta przestrzeń, wstęp Z. Hübner, przeł. W. Kalinowski, Warszawa 1981; P. Brook, Ruchomy punkt, przeł. E. Guderian-Czaplińska i G. Ziółkowski, Wrocław-Poznań 2004.
Additional information
Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system: