(in Polish) Polish Contemporary Theatre WH-KON-PolContTheat
Modern methods of relations between text and theatre. Score and drama, but also screenplay and work of art of screener as relation between text and perofmance – also visual arts. Classes will focus of the period between 1975 and beginnings of the XXI century.
Marks: presentation with way of reading the chosen spectacle.
(in Polish) E-Learning
(in Polish) Grupa przedmiotów ogólnouczenianych
Subject level
Learning outcome code/codes
Type of subject
Course coordinators
Learning outcomes
basic knowlegde about theatrology and other kinds of arts,
- can analize performance,
- knows modern tendentions in theatre and its history
- knows theatrical libraries
- know how role has theatre in culture
- can discuss about theatre,
Assessment criteria
Bardzo dobry – student know main terms of theory and history of the performance and drama text, especially its polish way. Can describe and read the performance as text and also as theatre work of art. Can explain main tendencies of text and its previous modern forms.
Dobry - student know main terms of theory and history of the performance and drama text, especially its polish way. Can describe and read the performance as text and also as theatre work of art.
Dostateczny - student know main terms of theory and history of the performance and drama text, especially its polish way.
Niedostateczny – student doesn’t know main terms of theory and history of the performance and drama text, especially its polish way. Can’t describe and read the performance as text and also as theatre work of art. Can’t explain main tendencies of text and its previous modern forms.
Practical placement
None.
Bibliography
Z. Raszewski, Teatr w świecie widowisk, Warszawa 1991.P. Pavis, Słownik terminów teatralnych, przeł. S. Świontek, Wrocław 2002.M. Carlson, Performans, przeł. E. Kubikowska, Warszawa 2007; H-T, Lehman, Teatr postdramatyczny, przeł. D. Sajewska, M. Sugiera, Kraków 2004; P. Brook, Pusta przestrzeń, wstęp Z. Hübner, przeł. W. Kalinowski, Warszawa 1981; P. Brook, Ruchomy punkt, przeł. E. Guderian-Czaplińska i G. Ziółkowski, Wrocław-Poznań 2004; Sto przedstawień w opisach polskich autorów, red. Z. Raszewski, Wrocław 1993; M. Halberda i in., „Dziady” Adama Mickiewicza w inscenizacji Konrada Swinarskiego. Opis przedstawienia, Kraków 1998; M. Dzieduszycka, Apocalipsis cum figuris. Opis spektaklu, Kraków 1974; T. Kantor, Pisma, t. I-III, oprac. K. Pleśniarowicz, Kraków 2004-2005. Osobny zestaw lektur do każdych zajęć.
Additional information
Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system: