Law of the market of the art WP-PR-MON-PRSz

EW1 (PR_W02, PR_W04) — The student characterises the legal regulation of the art market in the national, EU and international legal order – the provisions on the protection of monuments, trade in works of art, copyright protection of artists and management of cultural heritage.
EW2 (PR_W03, PR_W06) — The student discusses the historical evolution of the legal regulation of the art market and explains its interdependencies, including the origins and significance of droit de suite and of UNESCO and European Union regulation on the protection of cultural property.
EW3 (PR_W07) — The student characterises the legal methods and tools used in the art trade: mechanisms of concluding contracts (auction, sale, contract for specific work), the rules on liability of experts and court-appointed experts, and the instruments for insuring cultural property.
EU1 (PR_U01, PR_U02) — The student interprets and applies the provisions of civil law, copyright law and administrative law to solve specific legal problems connected with trade in works of art, including those concerning forgery, restitution and liability for expert appraisal.
EU2 (PR_U05) — The student assesses phenomena occurring on the art market in the light of the regulation in force and critically analyses the adequacy of that regulation to the needs of the market in a comparative national and EU perspective.
EK1 (PR_K01) — The student independently deepens his or her knowledge of art market law and follows changes in national and European legislation, case law and literature.
EK2 (PR_K02) — The student identifies and resolves legal and ethical dilemmas connected with trade in works of art, in particular those concerning ownership of cultural property, restitution and authenticity of works.

Form and conditions of assessment
The monographic lecture ends with an examination. The examination takes the form of a presentation prepared and delivered by the student on a topic agreed with the lecturer and falling within the scope of the lecture, combined with answers to questions on the issue presented. The final grade for the lecture results from the assessment of the examination presentation.

Knowledge and skills (EW1–EW3, EU1–EU2)
Grade 5.0 — The student demonstrates exhaustive knowledge of the entire subject matter of the lecture, freely indicates the links between the legal institutions of the art market, and assesses the regulation in force independently and critically. The presentation is exemplary, the theses well argued, the conclusions original.
Grade 4.5 — The student has extensive knowledge of the subject matter and applies it efficiently in analysing the legal problems of the art market. The presentation is of a high standard with few imperfections.
Grade 4.0 — The student has good knowledge of most of the subject matter and analyses the legal issues of the art market correctly. The presentation is substantively correct; any shortcomings are of secondary importance.
Grade 3.5 — The student has mastered the basic institutions discussed in the lecture but shows gaps in detailed issues or in understanding the links between regulations. The presentation needs supplementing.
Grade 3.0 — The student has the minimum knowledge necessary to pass. The presentation meets the minimum substantive requirements but contains significant gaps or errors.
Grade 2.0 — The student has not achieved the intended learning outcomes in knowledge and skills. The presentation does not meet the minimum substantive requirements or has not been prepared.

Social competences (EK1, EK2) – ACHIEVED / NOT ACHIEVED only
ACHIEVED — The student participates actively in the lecture, shows interest in its subject matter, deepens knowledge independently and is ready to discuss the legal and ethical dilemmas of the art market.
NOT ACHIEVED — The student shows no readiness to develop knowledge independently or to take part in discussion. Failure to achieve the social-competence outcomes may be a ground for lowering the final grade by half a grade.

Required reading:
J. Sobczak, K. Chałubińska-Jentkiewicz, K. Kakareko, Prawo wobec kultury i sztuki, Warszawa 2018 (or a later edition);
W. Kowalski, K. Zalasińska, Rynek sztuki. Aspekty prawne, Wolters Kluwer, Warszawa 2011;
Zarządzanie światowym dziedzictwem kulturowym, Warszawa 2015.

Supplementary reading:
D. Czaja, Cena sztuki, Kraków 2021;
Dziedzictwo kulturowe w regionach europejskich, collective work, Kraków 2019;
J. Sigh, O. Faber, N. White, Heritage conservation: a holistic approach. Technology, Law and Insurance, vol. I;
I. Gredka, Ubezpieczenia dóbr kultury w muzeach i zbiorach prywatnych, Warszawa–Kraków 2013;
I. Gredka-Ligarska, D. Rozmus (eds), Legalne/Nielegalne. Poszukiwanie zabytków i obrót zabytkami. Na styku archeologii i prawa, Sosnowiec 2017;
W. Kalicki, M. Kuhnke, Sztuka zagrabiona, vols 1–2, Warszawa.

Normative acts (as currently in force):
ustawa z dnia 23 lipca 2003 r. o ochronie zabytków i opiece nad zabytkami;
ustawa z dnia 4 lutego 1994 r. o prawie autorskim i prawach pokrewnych;
ustawa z dnia 21 listopada 1996 r. o muzeach;
ustawa z dnia 25 maja 2017 r. o restytucji narodowych dóbr kultury;
ustawa z dnia 23 kwietnia 1964 r. – Kodeks cywilny;
rozporządzenie Parlamentu Europejskiego i Rady (UE) 2019/880 w sprawie wprowadzania i przywozu dóbr kultury;
Konwencja UNESCO z dnia 14 listopada 1970 r. dotycząca środków zmierzających do zakazu i zapobieżenia nielegalnemu przywozowi, wywozowi i przenoszeniu własności dóbr kultury.

Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system:

• Description of WP-PR-MON-PRSz in USOSweb